Ep82 Children of Men

The year is 2027, the world has collapsed but Britain soldiers on. Alfonso Cuarón's Children of Men has seemingly only increased in significance and appreciation since its release in 2006. Based loosely on a P.D. James novel Cuarón imagines a world that has lost hope because of human infertility but this only the narrative starting point for an aesthetically and thematically layered dystopian nightmare. Discussion of the film's many social, cultural and political elements sometimes takes away from the fact it is a brilliant piece of action cinema with an aesthetic immediacy and depth of world-building, that has become a signature of Cuarón's filmmaking We screened the film at Kings College London and would like to thank PhD Student Joseph Jenner for organising the event and co-presenting the screening with Dario. Show notes Why Children of Men has never been as shocking as it is now - Nicolas Barber (BBC) Humanity Adrift: Race, Materiality, and Allegory in Alfonso Cuarón's Children of Men - Zahid R. Chaudhary (Camera Obscura) Future Shock - Abraham Riesman (Vulture) Why Alfonso Cuarón's anti-Blade Runner looks more relevant than ever - Stephen Dalton (BFI) The Child to Come: Life After the Human Catastrophe - Rebekah Sheldon Listen on: iTunes: https://itunes.apple.com/gb/podcast/the-cinematologists-podcast/id981479854?mt=2 Website: www.cinematologists.com PlayerFM: https://player.fm/series/series-2416725 Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh Patreon: https://www.patreon.com/cinematologists