Get Up in the Cool
Podcast autorstwa Cameron DeWhitt - Środy
462 Odcinki
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Episode 142: Carol Skarstad (Old Time Cello)
Opublikowany: 15.05.2019 -
Episode 141: The Vox Hunters (Armand Aromin and Benedict Gagliardi)
Opublikowany: 8.05.2019 -
Episode 140: Julay Brooks (Old Time Backup Guitar)
Opublikowany: 1.05.2019 -
Episode 139: Joe McHugh (Rosin the Bow)
Opublikowany: 24.04.2019 -
Episode 138: Cathy Fink and Marcy Marxer (Hands on Both Sides)
Opublikowany: 17.04.2019 -
Episode 137: Harry Bolick (The Completely Lost Mississippi Fiddle Tunes)
Opublikowany: 10.04.2019 -
Episode 136: Linnea Spitzer (A Long Circuitous Route)
Opublikowany: 3.04.2019 -
Episode 135: Gary Vann (Traditional Music in Brisbane)
Opublikowany: 27.03.2019 -
Episode 134: Hanna Traynham (Old Time Banjo)
Opublikowany: 20.03.2019 -
Episode 133: Amy Hakanson (Explains What a Nyckelharpa Is)
Opublikowany: 13.03.2019 -
Episode 132: Jesse Partridge (Trad Music and Community in Olympia, WA)
Opublikowany: 6.03.2019 -
Episode 131: Jimmy Rush (Old Time Flatpicker)
Opublikowany: 27.02.2019 -
Episode 130: Robin Fischer (Square Dance Calling)
Opublikowany: 20.02.2019 -
Episode 129: Jamie Fox (Métis Fiddling in the US)
Opublikowany: 13.02.2019 -
Episode 128: Ellie Hakanson (The Importance of Bass Moms, Cute Grandma Tunes, and Rocky Top)
Opublikowany: 6.02.2019 -
Episode 127: Ashlee Watkins and Andrew Small (Live at Dorrigo Folk and Bluegrass Festival 2018)
Opublikowany: 30.01.2019 -
Episode 126: Jim Childress (Live at Clifftop 2018)
Opublikowany: 23.01.2019 -
Episode 125: Amy Alvey and Mark Kilianski (Live at Dorrigo Folk and Bluegrass Festival 2018)
Opublikowany: 16.01.2019 -
Episode 124: Whoa Mule (Live at Dorrigo Folk and Bluegrass Festival 2018)
Opublikowany: 9.01.2019 -
Episode 123: Paul Brown (Live at Mountaingrass 2018)
Opublikowany: 2.01.2019
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
