Oxford Comparative Criticism and Translation (OCCT)
Podcast autorstwa Oxford University
39 Odcinki
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Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Opublikowany: 20.09.2014 -
OCCT event - The Point of Comparison
Opublikowany: 20.09.2014 -
Languages of Criticism - Translation and Comparison part one
Opublikowany: 20.09.2014 -
Languages of Criticism - The Practice of Commentary
Opublikowany: 20.09.2014 -
Languages of Criticism - Creatively Critical
Opublikowany: 20.09.2014 -
OCCT event - The Creativity of Criticism part one
Opublikowany: 20.09.2014 -
Philosophy of Criticism - Creativity as a Virtue of Character
Opublikowany: 20.09.2014 -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Opublikowany: 20.09.2014 -
Philosophy of Criticism - Justifying Canonic Value
Opublikowany: 20.09.2014 -
Philosophy of Criticism - Creativity, Culture and Tradition
Opublikowany: 20.09.2014 -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Opublikowany: 20.09.2014 -
Intercultural Literary Practices - Theorising Interculturality
Opublikowany: 20.09.2014 -
Translators and Writers - Translation and Fictionality
Opublikowany: 20.09.2014 -
Translators and Writers - Poetry and the Act of Translation
Opublikowany: 20.09.2014 -
Round Table: The Future of Comparative Criticism
Opublikowany: 22.10.2013 -
Tropes of Comparison
Opublikowany: 22.10.2013 -
Comparative Literature, Britain and Empire
Opublikowany: 22.10.2013 -
Shaped by the Classics?
Opublikowany: 22.10.2013 -
Literature in the World
Opublikowany: 22.10.2013
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
