Subtext: Conversations about Classic Books and Films
Podcast autorstwa Wes Alwan and Erin O'Luanaigh - Poniedziałki
128 Odcinki
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(post)script: Post-Wonderful
Opublikowany: 27.12.2021 -
The Pain of Anonymity in “It’s a Wonderful Life” (1946)
Opublikowany: 20.12.2021 -
(post)script: Is “Die Hard” a Christmas Movie?
Opublikowany: 13.12.2021 -
Attachments “Die Hard” at Nakatomi Tower
Opublikowany: 6.12.2021 -
Mad as Hell in “Network” (1976)
Opublikowany: 22.11.2021 -
Autonomy and Incest in Sophocles’s “Oedipus Rex”
Opublikowany: 8.11.2021 -
Gender Opera in “Tootsie”
Opublikowany: 25.10.2021 -
Our Name is Subtext, Podcast of Podcasts. Hear our “Ozymandias” Discussion, Ye Listeners, and Despair!
Opublikowany: 11.10.2021 -
Sex and Tech in “Alien” by Ridley Scott
Opublikowany: 27.09.2021 -
Dead Wall Reveries in Melville’s “Bartleby the Scrivener”
Opublikowany: 13.09.2021 -
Cursed Kids or Psych-Au Pair? “The Turn of the Screw” by Henry James
Opublikowany: 30.08.2021 -
Gentility and Injustice in “Gone with the Wind” (1939)
Opublikowany: 16.08.2021 -
Realism as Cruelty in “A Streetcar Named Desire” by Tennessee Williams
Opublikowany: 2.08.2021 -
Prestidigitocracy in “The Wizard of Oz” (1939)
Opublikowany: 19.07.2021 -
Formulated Phrases in “The Love Song of J. Alfred Prufrock” by T. S. Eliot: Part 2
Opublikowany: 5.07.2021 -
Disturbing the Universe in “The Love Song of J. Alfred Prufrock” by T. S. Eliot: Part 1
Opublikowany: 21.06.2021 -
(post)script: Post-Apocalypse
Opublikowany: 14.06.2021 -
At Home with War in “Apocalypse Now” (1979) by Francis Ford Coppola
Opublikowany: 7.06.2021 -
Unsound Methods in Conrad’s “Heart of Darkness”
Opublikowany: 24.05.2021 -
On the Lam with “Thelma & Louise” (1991)
Opublikowany: 10.05.2021
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.
