Thus Spake Zarathustra: A Book for All and None by Friedrich Nietzsche
Podcast autorstwa Loyal Books
81 Odcinki
-
Part 1: XX. Child and Marriage
Opublikowany: 13.12.2024 -
Part 1: XXI. Voluntary Death
Opublikowany: 12.12.2024 -
Part 1: XXII. The Bestowing Virtue
Opublikowany: 11.12.2024 -
Part 2: XXIII. The Child with the Mirror
Opublikowany: 10.12.2024 -
Part 2: XXIV. In the Happy Isles
Opublikowany: 9.12.2024 -
Part 2: XXV. The Pitiful
Opublikowany: 8.12.2024 -
Part 2: XXVI. The Priests
Opublikowany: 7.12.2024 -
Part 2: XXVII. The Virtuous
Opublikowany: 6.12.2024 -
Part 2: XXVIII. The Rabble
Opublikowany: 5.12.2024 -
Part 2: XXIX. The Tarantulas
Opublikowany: 4.12.2024 -
Part 2: XXX. The Famous Wise Ones
Opublikowany: 3.12.2024 -
Part 2: XXXI. The Night-Song
Opublikowany: 2.12.2024 -
Part 2: XXXII. The Dance-Song
Opublikowany: 1.12.2024 -
Part 2: XXXIII. The Grave-Song
Opublikowany: 30.11.2024 -
Part 2: XXXIV. Self-Surpassing
Opublikowany: 29.11.2024 -
Part 2: XXXV. The Sublime Ones
Opublikowany: 28.11.2024 -
Part 2: XXXVI. The Land of Culture
Opublikowany: 27.11.2024 -
Part 2: XXXVII. Immaculate Perception
Opublikowany: 26.11.2024 -
Part 2: XXXVIII. Scholars
Opublikowany: 25.11.2024 -
Part 2: XXXIX. Poets
Opublikowany: 24.11.2024
Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the “eternal recurrence of the same”, the parable on the “death of God”, and the “prophecy” of the Overman, which were first introduced in The Gay Science. Described by Nietzsche himself as “the deepest ever written”, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.
