Thus Spake Zarathustra: A Book for All and None by Friedrich Nietzsche
Podcast autorstwa Loyal Books
81 Odcinki
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Part 2: XL. Great Events
Opublikowany: 23.11.2024 -
Part 2: XLI. The Soothsayer
Opublikowany: 22.11.2024 -
Part 2: XLII. Redemption
Opublikowany: 21.11.2024 -
Part 2: XLIII. Manly Prudence
Opublikowany: 20.11.2024 -
Part 2: XLIV. The Stillest Hour
Opublikowany: 19.11.2024 -
Part 3: XLV. The Wanderer
Opublikowany: 18.11.2024 -
Part 3: XLVI. The Vision and the Enigma
Opublikowany: 17.11.2024 -
Part 3: XLVII. Involuntary Bliss
Opublikowany: 16.11.2024 -
Part 3: XLVIII. Before Sunrise
Opublikowany: 15.11.2024 -
Part 3: XLIX. The Bedwarfing Virtue
Opublikowany: 14.11.2024 -
Part 3: L. On the Olive-Mount
Opublikowany: 13.11.2024 -
Part 3: LI. On Passing-by
Opublikowany: 12.11.2024 -
Part 3: LII. The Apostates
Opublikowany: 11.11.2024 -
Part 3: LIII. The Return Home
Opublikowany: 10.11.2024 -
Part 3: LIV. The Three Evil Things
Opublikowany: 9.11.2024 -
Part 3: LV. The Spirit of Gravity
Opublikowany: 8.11.2024 -
Part 3: LVI. Old and New Tables
Opublikowany: 7.11.2024 -
Part 3: LVII. The Convalescent
Opublikowany: 6.11.2024 -
Part 3: LVIII. The Great Longing
Opublikowany: 5.11.2024 -
Part 3: LIX. The Second Dance-Song
Opublikowany: 4.11.2024
Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the “eternal recurrence of the same”, the parable on the “death of God”, and the “prophecy” of the Overman, which were first introduced in The Gay Science. Described by Nietzsche himself as “the deepest ever written”, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.
